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Passionate tantrum turns into wistfulness at the line 'long ago and faraway'. Lovely piano chords cushion the abrupt shift of gears. The great self-accompanists, of course, are known for terrorising their audiences with dramatic mood swings. Nina Simone was the supreme example, but Laura Nyro had the same ability. (Nyro, incidentally, shared an era and an idiom with Janis Ian and is as profound as the latter is shallow). She is represented by two songs on Standard Issue - 'California Shoeshine Boys' and 'He's A Runner' both come from Nyro's girlish days.
Other transformations include a stormy, vigorous 'Eleanor Rigby'. 'How Insensitive' (with a lovely tenor sax solo by Bobby Wellins) is honoured by the definitive interpretation, but then Carroll is capable of defining any song she so desires. When Ian Shaw drops by to contribute a guest vocal on 'You've Got A Friend', his breathy loveliness is overwhelmed by her earthy power. MIKE BUTLER
www.splashpointrecords.com
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